Adonis & The Phoenix

[An aside to the Boeotian Theoi blog project.]

As I alluded in my previous post, I’ve been noticing a vague connection between Adonis and the Phoenix as recognised in Hellenic myth. As per Herodotus and Ovid, the phoenix is reborn from an encasement in myrrh (Ovid also includes herbs), and myrrh is an important part of the story of Adonis’ birth.

A surviving fragment of Hesiod‘s Ehoiai describes Adonis’ parents as “Phoenix and Alphesiboea”, though this is identified as Phoenix, son of Agenor. Still, it was mis-remembering this fragment that inspired this painting of mine.

As well as the mythological connections of being born from an encasement of myrrh (think about it, it’s a tree resin, and Adonis is typically described as being born literally from myrrh bark, which has to be cut into to gather the resin; myrrh resin was basically His amniotic fluid), Adonis and the phoenix basically both have life-death-rebirth mythologies (though Theoi Project ignores Adonis’ veneration as a deity [yet, oddly, accepts Kybele as being thoroughly Hellenised], even a vague familiarity with the Adonia is enough proof of not only His being regarded as reborn, but also of deification), even if you consider Herodotus’ rather bizarre account of a younger phoenix encasing its deceased father in myrrh, thus becoming the father to the reborn phoenix (as well as its own grandpa — holy shit, the ancient Greeks really did invent everything).

Interestingly, though the phoenix is typically described as being a variegated saffron-to-scarlet colour, there’s an anthropological theory identifying the phoenix with Old World Flamingoes (and this theory is apparently supported by biologists naming the order, family, and genus of all species of flamingo) because the salt flats where flamingoes are fond of nesting can become far too hot for humans, or many (if any) other predators to walk across, and anybody who’s watched the air over an outdoor grill in the summer would know that the extra-hot air sort of “dances”, which could create the illusion of flame. To protect the egg from the heat, flamingoes build nests of mud, which keep the egg cool enough not to cook, but which could also look like perhaps a mound of ash from a distance. The Greater Flamingo, which is native to the Mediterranean, the Middle East, and SW Asia (making it the most widespread flamingo), does have variegated colouring, even if not matching the classical description of the phoenix. In fact, the Hellenistic mosaic above (found in the former ancient suburb of Daphne, in what is now Antakya, Turkey) certainly seems to support the identification with flamingoes and the phoenix.

Though initially an association I formed from a mis-remembering, I’ve grown to further and further associate the phoenix with Adonis, and I’ve been meaning to write this for a while, but simply couldn’t think of an appropriate moment to post it.

Ares & Aphrodite & Adonis & The Phoenix

Eros was out with Aphrodite, and the Goddess commented on the body of Ares as He practised His battle exercises, and pondered out loud to Her friend how exciting it would be to be in his arms and beneath Him. You see, as much as She loved and took satisfaction from doting on Her husband, Hephaistos, while the Smith of the Theoi had great arms, that was about it — he was dwarven and his spine crooked, and His face so far from conventionally attractive that His own parthenogenic mother was said to have thrown the quasimodian child from Olympos, crippling Him. Aphrodite alone saw a beauty in Him beyond the gifts He fashioned for Her, and truly loved Him, but He was merely a good husband: Reliable, well-providing, and They shared a bond almost familial. Ares, on the other hand, She suggested to Eros, would make a magnificient lover: Exciting, daring, and what She’d heard from mortal women was that what soldiers lacked in money, skills, and conversation, they made up for in bed.

Eros remarked that it was near Her birthday, and so if Ares was what She wanted….

Ares then approached the pair and poked fun at Eros’ delicate features and small arrows when compared to his own javelin. Eros’ then pulled one from His quiver and wished it an absurd weight for its metal. He handed it to Ares, saying, “This one is far heavier than it looks, try it and see.” Ares scoffed, and took the arrow, which he quickly learned surely must outweigh his own weapon in spite of being less than a third the length and a quarter its thickness. Realising He’d been tricked, his face became sour and he attempted to return it, saying, “It is too heavy, take it back.” Eros replied, “Keep it, it is a gift”, and Aphrodite smiled when Ares threw the empowered arrow to the ground in frustration, scratching His own foot with it as it landed.

The affair was conducted as any illicit affair, which for Aphrodite always remained exciting and worth every second They risked exposure — while Zeus’ affairs were no secret, as a married woman, Aphrodite was held to greater expectations of fidelity, and while She loathed the double-standard, She revelled in the excitement it created, always unsure of whether She feared or yearned for the affair to be found out.

Then Aphrodite learned of Her carrying of twins, at a time when clearly She would be unable to pass Them off as Her husband’s. As She fretted over this with the Kharietes, Hephaistos overheard, and devised a humiliation for the pair. Being not only a master craftsman, but also inventor, He was finished with His trap long before Aphrodite even began to show, and even managed the assistance of Apollon. When Aphrodite met with Ares in one of the magnificent rooms of Her palace built by Hephaistos, when the weight of their bodies combined (so as not to accidentally ensnare Kypris on her own) shiofted to the centre of the bed, a heavy net fell upon Them, and Apollon illuminated the room so that the outer wall was transparent, and all of Olympos could see Them in such a precarious state.

Aphrodite and Ares endured stares and pointed fingers and even laughter, and so when Ares and Aphrodite were finally freed, Ares flew into a rage, and took it out on Eros, for passing Him the arrow that made Him look a fool. In a panic to cease the beatings, Eros offered Ares and Kypris a compromise: He would convince Hera to grant Aphrodite a divorce, which would free the pair up to be together. Hera was receptive to this offer, but only if Aphrodite could find Hephaistos a suitable wife, so She arranged Hephaistos to be wed to Aglaia.

But Aphrodite is a fickle woman, and so after the birth of the twins, Phobos and Deimos, She bore Ares a daughter, Harmonia, conceived post-divorce, and soon grew weary of the soldier’s schedule, and took other lovers. Ares didn’t notice at first, then denied it when He did notice, until….

A young woman named Symrnah had offended Aphrodite for failure to honour the Goddess in Her due measure. in retaliation, She cursed the girl with a lust for her own father, driving the girl, in shame, to rape her father as he slept. He awoke and threatened Smyrnah, so she fled, and Eros took pity on the poor girl, and transformed her into a myrrh shrub, so that in death, she’d have no choice but to honour the goddess through the resin the bush produced.

One day out, when a priestess was harvesting myrrh resin, she cut into Smyrnah’s bush, and an infant began to push its head through the wound of the bark. Aphrodite came to see what was going on, and immediately claimed the child when She saw Him and then saw His future face, and saw He was destined to be quite lovely. To protect the child from Ares, She made an arrangement with Persephone, but as He grew up lovely, Persephone refused to give Him up to Aphrodite when She came to claim Him. Apollon offered to take in the youth as the women quarrelled, eventually taking the matter to Zeus, who suggested that a third of the year, the boy could live with Persephone, and for a third, He could live with Aphrodite, and the final portion of the year was for the youth Himself to decide.

Aphrodite chose to avoid the criticisms of Her affair with Ares by declining to marry Him after She and Hephaistos had their own dissolved; it just seemed easier, even though there was an assumption of exclusivity, what with the children and all. Still, Ares was jealous, so She and Persephone realised that Zeus only said “a third of the year”, He didn’t specify that it needed to be one-hundred-twenty days all in a row, so She made all attempts to arrange Adonis’ days with Her while Ares was away.

Still, word quickly came around to Ares that His beloved Aphrodite wasn’t keeping fidelity toward him; and to His own horror, He learned that this other man was a beautiful, effeminate youth who was said to be passed back-and-forth between Kypris and Kore like an accessory, and when not with them, would “lay as a woman” with Apollon, or so they said. Clearly, something would have to be done.

One day, when Aphrodite and Adonis were out in Her garden, Ares transformed Himself into a massive wild boar and charged the youth at full speed, goring vital organs and then tossing the boy into the air before turning around and taking off back to where He came from.

As Aphrodite wailed, tears poured from Her lovely face, and then Zephyros carried them as anemone poppy seeds on His breath, spreading and germinating the flower, creating a trail leading all to the torn body of the dying Adonis. When Ares came in His own form, Aphrodite recognised His eyes in the boar, and would not let Him touch Her. Persephone offered to take Him to the underworld, where His body remained lifeless while roses sprang up in the middle of the lettuce patch from the blood where the beauteous Adonis had died.

The following year, the Phoenix was due for renewal, and so began collecting myrrh resin for its egg. As it coaxed the beads of gum from the shrubberies, eventually it came upon Smyrnah’s bush, and dug its claws deep into the bark, which soon pulled out the long golden hairs of Aphrodite’s beloved youth, who soon after pulled himself from the wound in the wood, for it was the deep love bestowed upon Him in life that renewed Him, love deeper than that which Aphrodite gave to Ares, for Ares was known to be immortal, so He didn’t need it.

Ares & Narkissos

Perhaps some will find it odd, but in my reading (some tales for the first time, some for the first time in a very long time) for yesterday’s post, I noted some similarity to the nature of Ares’ mythos and my beloved Narkissos. Now, I make no secret of the fact of my reverence of Narkissos as a holy daimon, and feel His mythos alone are sufficient evidence that, even though without any evidence of ancient cult, this was likely His status in His native Thespiai.

…but I digress.

The most famous of Ares’ mythos, His adulterous affair with Aphrodite, is quite naturally suited to a cautionary tale against letting one’s ego run wild, while Narkissos’ is so deeply associated with the idea that one not even be familiar with the myth to have an idea what it must be about, so long as one has even a passing familiarity with what the English word “narcissism” means in casual every-day use.

The differences to each myth are important to consider, as they are clearly two stories with different intended audiences and so different nuances of morality lesson, but both carry an underlying theme of the dangers of letting one’s ego take control of one’s affections, and thus better judgement.

In “The Story of Narkissos”, we have a young man so consumed with the idea that no-one is good enough for His own affections that He’s cursed to stare Himself into a flower by deities closely bound to Eros; in some versions, He is portrayed as literally rejecting the Gods of Love, creating a hubristic bend to His own self-absorption.

Then we have the affair of Ares and Aphrodite.

I’m tempted to regard the story as the odd Roman influence in Hellenic mythology (as the pattern is usually in reverse), as both Venus and Mars are regarded as the patron and matron deities of Rome and a mythological narrative is an easy way to explain this. Unfortunately for my hypothesis, all I really have are my own suspicions, as the most basic elements of the myth pre-date any serious Roman influence by about five-hundred years, as best as we can tell, anyway. Still, interesting idea, and clearly a potential reason for the myth’s lasting popularity, if not at all a reason for the myth’s origin.

Regardless of the underlying origin of the myth, there are elements that clearly serve as a cautionary tale against unbridled ego and lust, and potentially against “class-climbing”.

Aphrodite is a married woman, and while infidelity in men has been accepted for millennia, not so much for women (in spite of all evidence to the contrary that women are just as much predisposed to it, if not actually possessing of a higher biological interest in multiple partners than men have), so their affair is conducted in secret — right from the beginning, this is something that is clearly not designed to be a story giving people the go-ahead to sleep around as a married woman or with married women, since even the theoi are given to a belief that it’s wrong1. At some point, Hephaistos decides to trap the problematic lovers, humiliating them for going behind His back and making Him look a fool.

Now, some of this is negated by the possible divorce of Aphrodite and Hephaistos; this is alluded to in Homer (in later naming Hephaistos’ wife as the Kharis Aglaia, Who bore Him the younger generation of Kharietes), and other poets describe it more explicitly — but then later Ares is the victim of Ahrodite’s infidelity with Adonis, giving Ares an irony of fate. Unfortunately for Adonis, His fate is to be far more tragic than Ares’, as Ares’ boar form gored the youth — but perhaps not-so-unfortunate, as Aphrodite’s love for Adonis renewed Him, finally making it clear to Ares His folly of ego, assuming that He could somehow be “enough” for Aphrodite’s affections.

In both stories, there is a variation of self-absorption that seals each fate: Narkissos staring Himself into a flower, Ares’ repeated humiliation — and each time, at the hands of men who can certainly be characterised as “weaker” (Hephaistos, the cripple, and Adonis, the effete). While certainly there are obvious differences in each story, they each share a common theme of “keep your ego in check”.


1: Of course, that’s not to say that women in Hellenic mythos are never allowed to own their own sexuality; from Athene resisting the advances of Hephaistos and raising His and Gaia’s jizz-spawn as Her own, to Demeter’s single motherhood, to Artemis cursing peeping toms watching her bathe, to Selene enchanting Her favourite twink to eternal youth and sleep so that She could lay with him. The difference for Aphrodite is that She’s married, and so fidelity is expected, as is being open to Her husband’s desires; if, like Demeter and Selene, She was unmarried, She could presumably bed and molest ALL THE MENS to Her liking. Which, yeah, compared to how Zeus’ mythos has him sticking his dick in everything, and as everything, is a total double standard and totally unfair, and Hera’s attempts at retribution hardly seem to get through to Him, but that’s not really the point of the mythos, now is it? No it’s not.

New Goal for the Garden

I found out about TerraCycle.net cos I love Method brand cleaning products and their refill pouches. The only downside to the pouches is that Lansing doesn’t accept plastic bags of any sort for recycling, so while it’s nice that they provide a significant reduction in waste and resources, before I noticed the url for TerraCycle on a new pouch for dish liquid, my only option was to throw them out.

TerraCycle basically collects hard-to-recycle waste items and in exchange for you sending them in (usually at no cost to you, either), they’ll give you at least 2¢ or two “points” to put toward a charity or school of your choice. At 400 points, I can donate bees to an impoverished family through Heifer International.

So, I’ve signed up for several “brigades” (all stuff I use — Method refills, candy wrappers, hair product & make-up packaging and tubes, cheese packaging, old keyboards & mice, old cell phones[50pts], old digital cameras[250pts]) to save up for and send in; I’m also wait-listed for several others. It looks like items can be combined into a single box and sent in together, which is good, cos that makes for less boxes used at any one time.

I have my heart set on bees specifically because of Trophonios, and because bees are pretty essential to gardens. If you’re in the Lansing, Michigan, area, feel free to contact me (ruadhan[at]peacockfairy[dot]com) if you have anything to donate to the TerraCycle box.

Also, since I’m still pretty low on money, I’m going to point everybody to the donations button again, cos it’s absolutely necessary, still.

Now I’m off to put on some work jeans and my Crocs [shudder] and go dig a hole for Future Goldfish Pond™ — my goal for the hole? Not my pole, but a depth of at least thirty inches; considering that full-grown shubunkins can be about sixteen inches long, I’d really rather not have to bring them inside during the winter, so this will allow for hibernation. This is also a sacred garden feature. Plus, it also makes more sense that, if I’m going to have narcissus poeticus surrounding the pond, to dig the pond first, so as nothing gets destroyed later.