[PBP2013] Creativity

Mine is a religion of Creation.

Eros, god of Beauty, Love, Sex, Desire, and ultimately, Creation. All other theoi, ultimately, create things. Even the Goddesses Parthenos.

The path of the hoi polloi is to work, procreate, and pass on.

The path of the hero is to use one’s gifts to create from one’s life a legacy that outlives, outshines one’s mortality.

The path of the artist is to hone one’s craft and create, create until one can do so no more. This, too, brings immortality. Artists live forever through their creations and the desire of those who love it to keep it alive.

Is creativity, in any of its forms, integral to a pagan identity? I’d say yes.

If one’s gods do not create, then what incentive is there to worship Them? If one is going to say “oh, I worship nature”, then what is a seed? Water and fire don’t necessarily destroy, they just create smaller objects from bigger ones. If you’re not passing on your path, either via initiation, familial procreation, or just engaging others and teaching them, then you’re destroying it. If one can’t even muster up the courage to be not just inspired by their Deities, but to make something that future generatons can enjoy, then one might as well set fire to the Louvre, for one who does not act on that creative spark, ultimately, destroys it.

[What's That?] Altars and Shrines

Pagans and polytheists, at least in my experiences, differ in this way (amongst others): The former mostly maintains altars, the latter mostly maintains shrines.

BUT RUADHÁN, AREN’T THOSE JUST TWO DIFFERENT WORDS FOR THE SAME THING?

No.

Here’s why:

An altar is a place where you practise your religion; a shrine is where a Deity, or several deities, have Their own space in your home or the community. A shrine is like a permanent or semi-permanent guestroom for a deity, or several deities, where one has created a space in one’s home specifically for Them. For purposes of space, a shrine may have a “threshold” area where one practises rituals, or at least lights a candle and incense daily or weekly (depending on how one’s religion honours the deity in question), but the rest of the area is usually left untouched, save for periodic days during the month or year when you perform maid service (still running with the guest room analogy), or when you get little gifts for the Deity and arrange them artfully in Deity’s space. On the other hand, an altar is assumed to be for you, the whole space is yours, and there is (usually) nothing on there that you don’t use at some point when practising your religion. The two things are very different in intent and purpose, so conflating the two as one in the same is to betray one’s ignorance.

Shrines are often more-or-less “permanent”; if it’s a fixture of the home, its location is often chosen very carefully (usually dependent on deity) and after the location is designated for a shrine, it’s not moved unless special circumstances (like ritual cleaning, or a move) require one to. An altar might require a special location or direction to face, depending n the religion, but it is, at most, assumed to be a “part time” placement, the lease can be cancelled at any time; it can be moved or taken down when not in use (even if one doesn’t, out of convenience or just plain laziness) and I’ve never heard of a religion that requires special reverence for taking down a mere altar that could be easily compared to the treatment of a shrine that needs cleaning or has fallen into disrepair.

Common fixtures of small indoor shrines include a representation of the deity, a dish for offerings like wine, a candle or two, a receptacle for incense, and (depending on how long one has worshipped the deity) lots and lots of items that are gifts for the Deity, such as coins, food items, or just trinkets and baubles made of or bearing images of stones, flora, or fauna sacred to the deity. Common fixtures of altars often include a candle or two, a receptacle for incense, a representation of a deity or two, and various ritual tools —which may be (but may not be limited to) blades/athames, wands, a goblet or chalise, etc…. Large “outdoor” shrines that are basically the size of a tiny house that can have standing or sitting room for a few people tend to have an altar inside them for the placement of offerings and candles and holding small rituals of reverence, but the aura of such an altar is less like leaving gifts at the threshold of a household shrine, and more like bringing a gift into another’s house as a guest; it’s the Deity’s altar at one of their many Earthly homes, not that liminal space at the borderline between your space and Theirs. Because there is some overlap in the characteristics of a small household shrine and a household altar (candles, incense, representations of Deity), people who don’t know or understand the differences between altars and shrines may confuse the two.

SO, RUADHÁN, SINCE YOU THINK YOU’RE SO SMART, HOW DO I TELL THE DIFFERENCE?

Well, aside from my description, I also thought to provide a visual aide. First, a couple photos from a search for “Wiccan Altar” on Bing.com:

OLYMPUS DIGITAL CAMERA

Wiccan_Altar

There is nothing on either of these altars that is not, or at least cannot be intended to be used in a ritual. Even the statue in the second photo might be ritually turned to face one direction or another, during the course of a ritual, be it before, after, or while all other tools are being used.

So here are now a few images of shrines:

my Eros shrine, 01-08

Dver's "Dionysos shrine" (image links to Flickr gallery)

Dver’s “Dionysos shrine” (image links to Flickr gallery)

Dionysos shrine from Flaming Thrysos

Dionysos shrine from Flaming Thrysos

Very little in these pictures (though one is erroneously referred to as an “altar” by its maintainer) is intended for use by human hands. These are places for their respective Deities to be most-present and welcomed into the household; these are not areas where the primary purpose is for humans doing rituals (though occasionally rituals may take place at the shrine’s threshold).

Similarly, the springs to the city nymphai of Boiotia, and other springs sacred to locally important nymphai, and other parts of the city or villiage considered important to local mythos, would often serve as shrines to the nymph in question. If a traveller wanted the good graces of the local deities, gifts would be left at the city shrine(s) —similar to the continued tradition of dropping a coin in a fountain “for luck”. Then there’s the Greek tradition of roadside shrines:

Greek-Roadside-Shrine

While some of these shrines are, like the various roadside shrines seem in the American Midwest, created by surviving families at a location near a fatal traffic accident, a lot of times, the Greek roadside shrines are just erected by some-one giving thanks and praise to an Orthodiox Saint (and, on occasion, alongside an ancient deity) for some joyous event in one’s life; some of these shrines are said locally to have been standing and maintained since ancient times, perhaps with the pre-Christian commemoration only thinly veiled. Their purpose is for a short prayer and/or reflection, and (as with the roadside shrines around here, which commemorate tragedy) small trinkets and candles may be left by local people. Some Greek roadside shrines are big enough to be miniature chapels, big enough for two or three people to stand in prayer or conduct small ceremonies, but the fact that those shrines can have that function is secondary to the purpose of creating a space sacred to a Deity or Saint, where one is encouraged to pause in reflection of said Divine figure, perhaps have a small prayer or light a candle, and then go about one’s business.

While some shrines maintained by modern polytheists (as those pictured) may take form on and around a table-top out of necessity (like lacking a means of enclosure of the shrine area) or personal preference (as these are indoor shrines, and protection from elements is already taken care of, or so the reasoning may go), the purpose is still clear, often just by looking at it as a person who understands the difference. Some altars may also be set up in a niche in a wall, of on a bookshelf, or prehaps it’s a portable thing barely bigger than a CD jewelcase, but again, the intent is clear of its function simply by its form.

In paths one is unfamiliar with, or deities one has not previously seen a shrine to, the purpose may not be clear. A shrine to Ares may contain a short military dagger, and depending on the age or originating military, it might be indistinguishable from a Pop Wiccan’s athame. One may be practising a self-invented path of lesbian witchcraft that simulates the “great rite” of Wicca by rubbing two cowrie shells together, so the altar might appear more shrine-like, lacking blades and wands. If you know noting about the person’s religion, it never hurts to ask, but at the same time, it’s also perfectly fine to kindly explain that shrines and altars are not one-in-the-same, and that one “preferring” one term over the other doesn’t necessarily make it true.


Apologies to the previous publication of this without the rest. I was touching up the post on the tablet, and well, I’ll add this to my ever-growing list of why touch-screens are the work of Typhoeus.

Also: I do intend on making a series out of these sorts of posts.

“2013″ New Boeotian Calendar is ready…

Well, to be fair, only the PDF version is ready at this time, but you can download it here. Give me another day or so to do a painting for one to post to Etsy for sale.


Also, there’s a 95%+ chance that I’ll be posting another fundraiser later tonight. No, I’m not hoping for a salary (additional commentary added to that) for this, but my cat of eleven years is going to the vet later today, with dental problems. My housemate and I temporarily had the electricity shut off a week ago, and to get it back on (so we could do things like cook, and have my aquarium not die —and, less importantly, in certain lights, have working computers and television and stereos), basically he had to bankrupt his cheque account and so with what he had left after starting this paycheque in the hole and what I have left from my apparently fat disability allowance for the month (if Star Foster’s ignorant assumptions about living on disability are to be believed), combine that and I still couldn’t even make today’s appointment for Countess Vermin von Fluffybottom, of the Austrian von Fluffybottoms, (yes, that is the name I gave her after the shelter), if a friend didn’t give me the money to do so. Best case scenario, Miss Vermin will just need antibiotics and lots of snuggles; most likely, she’s going to need full dental work, plus an extraction, antibiotics, and lots of snuggles. On the downside, I hate fundraising for personal shit, cos it makes me feel like I’m a complete failure at life; on the upside, she is a cat, I have a camera that takes video, and this is the Internet —where cats, especially cute ones, are a close second to porn, and the top SFW subject by a fairly wide margin.


Alright, Internet, give me an opinion….

As I’m doing the tedious job of typing out the current New Boeotian Calendar (I even lost the PDF of the one I did last year —yet all previous PDFs still remain —so either I saved it someplace weird, or I accidentally deleted it —or it’s the hex), I’m suddenly brain-farting on the pictire I wanted to paint for the calendar, so I’m going to ask an informal poll of people.  Who knows? Maybe I’ll actually get responses?

So these are some paintings I thought I could do in watercolour, and that I’ve wanted to try for a while (and would have no problems parting with —probably the main reason I haven’t done any paintings for sale, yet):

  • Hesiod
  • the Phoenix
  • Corrina of Tanagra
  • Hedone

As always, if you need a reference guide for my style, here you go.

Other suggestions are welcome, but if I can’t get a feel for the subject, I won’t do it.  Even if you don’t think you’ll be able to purchase it, suggestions are welcome, cos who knows, right?

2012/13 New Boeotian Calendar Update

So, I’ve decided to do *ONE* calendar as I described here, cos I’ve wanted to since at least 2010, and I’m running out of time before my hand surgery later this month, meaning I won’t be able to do hand-painted calendars again in time to mail out before the New Boeotian New Year until next year. If I can’t find paper fastener buttons, I’ll probably just use ribbons. Since I’m only doing one, it’s tempting to do it as an auction, but since only a few dozen people seem to read this faithfully, I’m not going to do that to you all —after I finish it later this month, I’ll post it to Etsy, $40 +$5 shipping; you snooze, you lose. If you really want it but have no dinero, Etsy does Gift Cards now (and obviously, I’ve set up my store to accept), so, I dunno, now might be a great time to show your eccentric great aunt who always showers you with cash how to use the computer, or something.

I’m basing the price on the fact that it’s an original watercolour painting, no copies (well, not counting the scan to go with the store listing), and after the year is over, it should be totally suitable for framing. If you’ve forgotten what my paintings look like, here you go (be warned: there be weiners all up in that shizzy).

As always (except last year WE DON’T TALK ABOUT THAT!!), the PDF version will be available for free download from this blog (up there where it says “Calendar”), and if you think that’s worth anything, the Tip Jar is, as always, Stage Left.

Since I don’t have any plans except a post office run and getting catfood tomorrow later (fuck you, third shift-working housemate), I intend to start working on that after my errands are done, so with any luck, it should go up before Pohatan Tribe Solidarity Protest Day / United States’ Feast to Hestia.

Star Gazers ep1245

So, I’m thinking of posting these every week, at least for a while. I’ve always been fascinated by astronomy and constellations, and considering how much mythology is associated with the night sky, and I don’t know of any other Hellenic blogger posting these regularly, I figured I’d give it a shot. :-)

…plus, since my favourite channel as a kid was PBS, I’ve seriously been watching this five minute series for about twenty-five years, and it’s always nice to share things that have become a part of us.

Before I get to work on the calendar….

Would anybody buy a calendar that’s hand-painted?

I was thinking, if I were to do this, it would be like how Dver used to offer tear-off calendars with the looped binding, only more like:

So, I’d punch holes into a discrete location at the bottom of the painting (I do my watercolours on heavy paper), and then through the calendar top. To save on shipping, I’d throw in some of those little button-style paper fasteners, so it would be “some assembly required”, but you’d get a calendar and a one-of-a-kind painting.

What would be a fair price on something like this be? more importantly, what would the shipping be like? I’m thinking $45 for the base price of the calendar and painting, but shipping arrangements and costs are stumping me, and I think international shipping might prove prohibitive to anybody below an upper middle class income (for clarification, that would be like the Huxtable parents on The Cosby Show). If anybody’s done something like this, advice is totally welcomed. Ideas for paintings would be nice, too, but unnecessary, as I’ve got plenty of ideas already. Ideas like:

*Hesiod
*Phoenix
*Corinna of Tanagra
*Hedone

Just cos of time constraints and upcoming surgery on my painting hand, I won’t do more than two, and that’s even assuming I get any done. This is more just putting a toe in the waters to see if there’s much interest, and if there is, it’ll be a swift kick in the pants to get something done. And like I said, i want to get an idea what shipping should be, before I actually do it, so I know what to put in the Etsy listing.