Ακιδαλια

ACIDA′LIA, a surname of Venus (Virg. Aen. i. 720), which according to Servius was derived from the well Acidalius near Orchomenos, in which Venus used to bathe with the Graces; others connect the name with the Greek akides, i. e. cares or troubles.

I was looking through epithets for this post, to see if there was something specific to Boeotia that hasn’t been touched on a thousand times before, and this really struck me. It struck me in the same way that the famous Praxitelian Eros of Thespiai described centuries after it ceased drawing crows from all over the Hellenosphere as “Love as Suffering”.

How often is it that love leaves us troubled and shattered? Conflicted? Paranoid?

This is further why I reject the modern syncretisation of Aphrodite with Eirene, as love seldom brings peace on even a personal level, so whoever first assumed it could bring peace on a global level clearly doesn’t strike me as one who has ever been in love.

Even requited love is not without its heartache, and the Moirai have left us with no shortage of evidence of lovers who die young, lovers who fall out of love with us, lovers who hurt us in all sorts of ways.

…and if not directly, trouble comes indirectly: Relationships with friends are all too often forever changed, the approval or disproval of family members has been the subject of many a thesis, for some of us our work suffers, and for others our art suffers. Love can be a distraction, and some have suggested that a key element to intellectual brilliance is to remain unloved, or to never fall in love.

To far too many people I’ve known, there appears no real evolutionary advantage to our wide range of emotions, and if not for other traits, they imagine our emotions would’ve been so distracting that we’d at least be further down on the food chain. I reject this notion, and suggest that for as troublesome as our emotions are, they have saved us just as much. The only other species that comes close to displaying near the range of emotion as human beings is the elephant, so advanced in its emotional development that it’s the only creature aside from humans that has rituals for its dead, and it will extend this ritual to humans who have lived around them for years — but I digress. Without this wide scope of feeling, our pre-historic ancestors would’ve been less inclined to look out for our young and familial adults, reducing the power and safety of numbers, whereas a lion is no more likely to protect members of her pride than she is to just let them go to a larger animal on the attack. Pigs are lauded as fairly intelligent, but even if in packs, are pretty much out for only their own hides. Even whales don’t go to the lengths to protect their young and others of their species that human beings do. It’s our emotions which save us from outside threats, from each-other, and from ourselves, so clearly the trouble is worth it.

Boeotian Theoi: Aphrodite

CULT IN BOIOTIA (CENTRAL GREECE)

I) THEBES Chief City of Boiotia

Pausanias, Description of Greece 9. 16. 3 :
“At Thebes [in Boiotia] are three wooden images of Aphrodite, so very ancient that they are actually said to be votive offerings of [the mythical queen] Harmonia, and the story is that they were made out of the wooden figure-heads on the ships of Kadmos. They call the first Ourania (Heavenly), the second Pandemos (Common), and the third Apostrophia (Rejecter). Harmoina gave to Aphrodite the surname of Ourania (Heavenly) to signify a love pure and free from bodily lust; that of Pandemos (Common), to denote sexual intercourse; the third, that of Apostrophia (Rejecter), that mankind might reject unlawful passion and sinful acts. For Harmonia knew of many crimes already perpetrated not only among foreigners but even by Greeks, similar to those attributed later by legend to the mother of Adonis, to Phaidra, the daughter of Minos, and to the Thrakian Tereus.”

II) TANAGRA Village in Boiotia

Pausanias, Description of Greece 9. 2. 1 :
“Beside the sanctuary of Dionysos at Tanagra [in Boiotia] are three temples, one of Themis, another of Aphrodite, and the third of Apollon.”

III) THESPIAI Village in Boiotia

Pausanias, Description of Greece 9. 27. 5 :
“Here [at Thespiai, Boiotia] too are statues made by Praxiteles himself, one of Aphrodite and one of Phryne [historic lover of Praxiteles], both Phryne and the goddess being of stone. Elsewhere too is a sanctuary of Aphrodite Melainis (Black), with a theater and a market-place, well worth seeing.”

Aphrodite, as per Hesiod, is not the mother of Eros. This seems pretty consistent with other Boiotian writers. This seems to be of Attic origin, and Attika certainly ensured that myth’s popularity.

Like Adonis’ cult, Aphrodite’s was most likely a Near Eastern import via the island of Kypris, and Aphrodite’s Roxk is still a prominent attraction off the coast of the island, as it’s regarded as the Goddess’ legendary birthplace, formed from the sea-foam created of the castrated loins of Ouranos. Her conception is sort of the opposite of parthenogenesis, which is the conception of a baby without a male counterpart — indeed, She was created of three males: The seed of Ouranos, the skin of Okeanos, and the hand of Zeus. This is probably what lends well to the Second Wave Anti-sex Feminist dismissal of Aphrodite as “every man’s fantasy”, but I posit that She is something deeper than that.

Even in science, parthenogenic birth makes sense, either as a design of the species or in cloning, because females possess a womb, and/or the ability to lay eggs. It is thus that Aphrodite is an impossible thing: Even the ancient Hellenes, in spite of their faulty understanding of how conception actually works, formed mythology that has no shortage of parthenogenesis, and displays at least a squintable understanding that infants need to be nourished by the human body —thus Zeus had to swallow Metis to birth Athene, and had to sew Dionysos into His thigh (which my house-mate insists is code for weiner, but that’s another story for another time). Aphrodite, even by the internal logic of mythology, is thus an impossible thing, and yet She was born as fully-formed as Athene, and exists as plainly as Dionysos; by all reasoning, She shouldn’t be, and yet She is.

A final Note on Ares

As a man of transsexual medical status (as in female-to-male, for those tuning in for the first time and perhaps unfamiliar with either the few times I mention this publicly, or the term), it occurred to me just now another potential “Caution from Ares”:

Ares is a deity of War, which every major civilisation has benefited from, but Ares’ bloodlust is tempered by both Aphrodite’s sweetness and Athene’s wisdom. He is a deity of physical might and strength and masculinity, but He’s also been bested by a lame dwarf, and humiliated by an effete. He’s almost the Iron Butt Monkey of Hellenic myth, though certainly more as a caution than for comedy.

The primary attribute that biologists link with males, and so by extension, what laypersons link to masculinity is the hormone testosterone.

In excess, just about anything can produce a toxic effect on the human body — there have actually been cases where people have died from drinking too much water and not releasing it in one sitting (the most recent example, and possibly most famous one that I can think of was the death of a woman in a radio contest, “Hold your wee for a Nintendo Wii”). In rare cases, human bodies have naturally produced excess hormones to the point of toxicity, and TS individuals who take black market hormones without the supervision of their doctor are at risk of hormone toxicity. Too little of any one hormone or another doesn’t seem to have any ill effects, unless one is so attached to the idea of reproducing that they’d count sterility. But too much of one hormone or another can lead to certain death.

What’s interesting is that the threshold for testosterone poisoning (not just a female supremacist catch-phrase, kids) is far lower than it is for oestrogen poisoning. The nature of each hormone can essentially explain this: testosterone is an “aggressive” hormone (and I’m using “aggressive” here as a polar opposite of “passive”, with “assertive” being of neutral demeanour), and physiologically typical females produce a very small amount compared to physiologically typical males; pretty much just enough to create a sex-drive and body hair. Therefore, physiologically typical cisgender women are at a practically non-existent risk of testosterone toxicity.

Now, testosterone is an anabolic steroid, and any layman familiar enough with the oft-warned-against ill-effects of steroid abuse amongst athletes and body-builders can tell you the dangers of of too much anabolic steroid in the body. The risk with testosterone in and of itself seems especially great, linked with cardiovascular disease, and oral testosterone causes liver damage (the primary reason it’s so rarely prescribed anymore). This makes black and grey market HRT for TS men especially risky, while black/grey market HRT for trans women is considerably lower in risk.

Oestrogen is a more passive hormone. Testosterone can “cancel out” more than a certain amount of oestrogen, but oestrogen alone cannot “cancel out” testosterone, and so therefore TS women tend to take combined HRT: not only oestrogen, but also androgen suppressants; TS men, in comparison, just take testosterone. This being the nature of oestrogen, it’s very hard to produce hormone toxicity, and while I occasionally hear of TS men having an androgen OD (to varying degrees), I’ve never heard of an oestrogen OD from trans women (though, to be fair, that’s not to say it doesn’t happen, simply that I’ve not yet heard of it happening).

War is the political destruction of human life, and War is Ares’ primary domain.

Testosterone is the nectar of masculinity, and Masculinity is another of Ares’ domains.

Oestrogen is the nectar of femininity, and Femininity is one of Aphrodite’s domains.

Peace is the political preservation of human life. A common misconception of Aphrodite is as a Goddess of Peace1, and though this is not truly within Her domain, Peace is often described as a “feminine” pursuit or ideal.

War, in excess, has the potential to destroy all human life in a very short period of time. Peace, in excess, has the potential to very slowly kill human life as resources become exhausted more quickly without periodic waves of death from war creating the side-effect of population control.

Testosterone in excess within the human body can destroy life of an individual at a far greater rate, and far more quickly than oestrogen.

If that’s not basic biological chemistry reflecting ancient poetry, then some-one please explain what that is.


1: Though hitting the F3 button and searching all of Aphrodite’s pages on Theoi Project for the word “peace” produces almost nothing to suggest that this modern idea is Conformed Gnosis; on the other hand, She does have several war-related epithets, including “Αρεια [Areia]“, of Ares. It is Eirene who is the Goddess of Peace2, and I’ve also found nothing to suggest a possible ancient conflation of Eirene with Harmonia; while Peace and Harmony are similar concepts, Peace is the absence of War, while Harmony [outside of musical harmony] is the desired result of War, being an “orderly, pleasing arrangement; agreement”)
2: Though Eirene is named by Hesiod and Pindar, suggesting Boeotian reverence, the only surviving account of cult is of Attik cult.


PS: On a personal note, what with all the talk of Ares on the Intertubes this last week or so, I feel it necessary to state that I am a pacifist as a personal conviction — and by this, I mean that I refuse to fight in any war. While I acknowledge the efforts that my paternal grandfather made in his short time in the military (just before and during WWII, but unless he and my paternal grandmother were going at it like rabbits during periodic times at home, at least enough to produce two daughters and my father, who were all born in Michigan, it seems unlikely that he was stationed overseas during U$ involvement in the Second Great War), I also acknowledge my maternal grandparents’ hasty fleeing, due to war, of the home in England that they loved dearly, and my mother’s career as a nurse and brief time protesting the war in Vietnam. While I haven’t much issue with the historic presence of war, and the ecologic need for war as population control, there is a huge difference between the sustainable-tech wars of ancient times, and the resource-wasting wars of the current era. If we are to survive on this planet, we need to either re-tool war technologies to sustainability, like, yesterday, or we need to have far more periods of sustained peace to conserve resources. The latter would benefit from population control by other means, but China seems to be doing pretty well for herself, and with a population that increases at a far lower rate than this doomed experiment.

I’m going to cut off here before I start ranting any further, but to give you the “tl;dr” version: I acknowledge war as necessary for several reasons, but that does not mean I believe it is every man’s duty to go to war, nor do I believe that just because war is necessary, that war is somehow always necessary. That would be like saying “My diet includes meat, therefore I only eat meat,” which isn’t even a logical statement. I believe that periods of Peace are necessary for true Harmony, and I believe that the world is overdue for a period of peace.

PPS: Sorry no images with this post. I don’t have very many on the computer right now that I’d like to put with it, and at the time I write this, I have a small cat being very annoying at me, cos I haven’t scooped out Stinky Food for her and the other two yet, and I’m over three hours behind schedule.

Ares & Aphrodite & Adonis & The Phoenix

Eros was out with Aphrodite, and the Goddess commented on the body of Ares as He practised His battle exercises, and pondered out loud to Her friend how exciting it would be to be in his arms and beneath Him. You see, as much as She loved and took satisfaction from doting on Her husband, Hephaistos, while the Smith of the Theoi had great arms, that was about it — he was dwarven and his spine crooked, and His face so far from conventionally attractive that His own parthenogenic mother was said to have thrown the quasimodian child from Olympos, crippling Him. Aphrodite alone saw a beauty in Him beyond the gifts He fashioned for Her, and truly loved Him, but He was merely a good husband: Reliable, well-providing, and They shared a bond almost familial. Ares, on the other hand, She suggested to Eros, would make a magnificient lover: Exciting, daring, and what She’d heard from mortal women was that what soldiers lacked in money, skills, and conversation, they made up for in bed.

Eros remarked that it was near Her birthday, and so if Ares was what She wanted….

Ares then approached the pair and poked fun at Eros’ delicate features and small arrows when compared to his own javelin. Eros’ then pulled one from His quiver and wished it an absurd weight for its metal. He handed it to Ares, saying, “This one is far heavier than it looks, try it and see.” Ares scoffed, and took the arrow, which he quickly learned surely must outweigh his own weapon in spite of being less than a third the length and a quarter its thickness. Realising He’d been tricked, his face became sour and he attempted to return it, saying, “It is too heavy, take it back.” Eros replied, “Keep it, it is a gift”, and Aphrodite smiled when Ares threw the empowered arrow to the ground in frustration, scratching His own foot with it as it landed.

The affair was conducted as any illicit affair, which for Aphrodite always remained exciting and worth every second They risked exposure — while Zeus’ affairs were no secret, as a married woman, Aphrodite was held to greater expectations of fidelity, and while She loathed the double-standard, She revelled in the excitement it created, always unsure of whether She feared or yearned for the affair to be found out.

Then Aphrodite learned of Her carrying of twins, at a time when clearly She would be unable to pass Them off as Her husband’s. As She fretted over this with the Kharietes, Hephaistos overheard, and devised a humiliation for the pair. Being not only a master craftsman, but also inventor, He was finished with His trap long before Aphrodite even began to show, and even managed the assistance of Apollon. When Aphrodite met with Ares in one of the magnificent rooms of Her palace built by Hephaistos, when the weight of their bodies combined (so as not to accidentally ensnare Kypris on her own) shiofted to the centre of the bed, a heavy net fell upon Them, and Apollon illuminated the room so that the outer wall was transparent, and all of Olympos could see Them in such a precarious state.

Aphrodite and Ares endured stares and pointed fingers and even laughter, and so when Ares and Aphrodite were finally freed, Ares flew into a rage, and took it out on Eros, for passing Him the arrow that made Him look a fool. In a panic to cease the beatings, Eros offered Ares and Kypris a compromise: He would convince Hera to grant Aphrodite a divorce, which would free the pair up to be together. Hera was receptive to this offer, but only if Aphrodite could find Hephaistos a suitable wife, so She arranged Hephaistos to be wed to Aglaia.

But Aphrodite is a fickle woman, and so after the birth of the twins, Phobos and Deimos, She bore Ares a daughter, Harmonia, conceived post-divorce, and soon grew weary of the soldier’s schedule, and took other lovers. Ares didn’t notice at first, then denied it when He did notice, until….

A young woman named Symrnah had offended Aphrodite for failure to honour the Goddess in Her due measure. in retaliation, She cursed the girl with a lust for her own father, driving the girl, in shame, to rape her father as he slept. He awoke and threatened Smyrnah, so she fled, and Eros took pity on the poor girl, and transformed her into a myrrh shrub, so that in death, she’d have no choice but to honour the goddess through the resin the bush produced.

One day out, when a priestess was harvesting myrrh resin, she cut into Smyrnah’s bush, and an infant began to push its head through the wound of the bark. Aphrodite came to see what was going on, and immediately claimed the child when She saw Him and then saw His future face, and saw He was destined to be quite lovely. To protect the child from Ares, She made an arrangement with Persephone, but as He grew up lovely, Persephone refused to give Him up to Aphrodite when She came to claim Him. Apollon offered to take in the youth as the women quarrelled, eventually taking the matter to Zeus, who suggested that a third of the year, the boy could live with Persephone, and for a third, He could live with Aphrodite, and the final portion of the year was for the youth Himself to decide.

Aphrodite chose to avoid the criticisms of Her affair with Ares by declining to marry Him after She and Hephaistos had their own dissolved; it just seemed easier, even though there was an assumption of exclusivity, what with the children and all. Still, Ares was jealous, so She and Persephone realised that Zeus only said “a third of the year”, He didn’t specify that it needed to be one-hundred-twenty days all in a row, so She made all attempts to arrange Adonis’ days with Her while Ares was away.

Still, word quickly came around to Ares that His beloved Aphrodite wasn’t keeping fidelity toward him; and to His own horror, He learned that this other man was a beautiful, effeminate youth who was said to be passed back-and-forth between Kypris and Kore like an accessory, and when not with them, would “lay as a woman” with Apollon, or so they said. Clearly, something would have to be done.

One day, when Aphrodite and Adonis were out in Her garden, Ares transformed Himself into a massive wild boar and charged the youth at full speed, goring vital organs and then tossing the boy into the air before turning around and taking off back to where He came from.

As Aphrodite wailed, tears poured from Her lovely face, and then Zephyros carried them as anemone poppy seeds on His breath, spreading and germinating the flower, creating a trail leading all to the torn body of the dying Adonis. When Ares came in His own form, Aphrodite recognised His eyes in the boar, and would not let Him touch Her. Persephone offered to take Him to the underworld, where His body remained lifeless while roses sprang up in the middle of the lettuce patch from the blood where the beauteous Adonis had died.

The following year, the Phoenix was due for renewal, and so began collecting myrrh resin for its egg. As it coaxed the beads of gum from the shrubberies, eventually it came upon Smyrnah’s bush, and dug its claws deep into the bark, which soon pulled out the long golden hairs of Aphrodite’s beloved youth, who soon after pulled himself from the wound in the wood, for it was the deep love bestowed upon Him in life that renewed Him, love deeper than that which Aphrodite gave to Ares, for Ares was known to be immortal, so He didn’t need it.

30 Day Paganism Meme: Day 13 ~ Pantheon – Adonis & the Flower Boys

I love Adonis.

Though there’s Peanut Gallery commentary decrying any worship of Him and Kybele in a Hellenic context as “un-Hellenic”, it’s pretty obvious that Their cults had been thoroughly Hellenised by the time of Hesiod (if you haven’t seen people making such ridiculous claims, consider yourself lucky; in fact, I consider myself a lesser person for even mentioning it). I find myself especially fascinated with Ptolemy Hephaestion frequently linking His love as shared with Aphrodite and Apollon, which may seem unusual to those who are only familiar with the versions of Aponis’ mythos that link Him with Aphrodite and Persephone.

“Adonis, having become androgynous, behaved as a man for Aphrodite and as a woman for Apollon.” – Ptolemy Hephaestion, New History Bk5 (as summarized in Photius, Myriobiblon 190)

There’s a fragment from Hesiod that describes Adonis as the son of Phoenix (son of Amyntor), and most primary sources name His mother as Smyrrhna, who had a metamorphosis into the tree from which myrrh resin is harvested.

In myth and in cult, there are many easy comparisons to Dionysos — from a position in life-death-rebirth cults, his apparent links to sexuality, vegetation, and Khthonic deities (especially Persephone), academic and ancient syncretic likening to Osiris, and the public face of His cult was decidedly female (though this is where things begin to differ — male Dionysians existed in ancient times as much, if not more, than in modern — male Adonians, at least in the ancient Hellenic world [I haven't a clue about the Phonecian or Syrian world where it's clear His cult originated], seem apparently non-existent and, even in modern times, seem few, at best). But at least in the Hellenic world, it’s very clear that they are not the same — in some mythology, Aphrodite bore Adonis a daughter, Beroe, who is one beloved of Dionysos.

His cult likely came into the Hellenic mainlaind through Kypris, the birthplace and local name for Aphrodite, and by about the 6th Century BCE, was already well-known in Hellas. This is not insignificant: This not only cements a relationship with Aphrodite’s cult, it also really shows the aforementioned Peanut Gallery where to stick it — MWAHAHAHAHA!!! :-D

Seriously, folks, at this point in time, I think it’s safe to admit that the Adonis cult was thoroughly Hellenised. The academia really try to “un-Hellenise” Adonis, and indeed, many of these arguments seem to make sense, until you get into several glaringly apparent facts:

1) Adonis is a central part of Aphrodite’s Hellenic mythology — and I word it this way because a ssignificant amount of Her mythology and cult is clearly “imported”, comparative mythologises easily link Aphrodite to nearly every Near Eastern Goddess from the Babylonian Ishtar to the Zoroastrian Anahita. If one is going to conclude that Hellenic polytheists should worship only Hellenic deities, then there is an awful lot of archaeology that could easily reason that Aphrodite’s cult is not “indigenous” to Hellas any more than that of Adonis’.

2) It’s absolutely likely that Adonis’ cult was “imported” at the same time as Aphrodite — and even the much-touted Walter Burkert, apparently Greek Religion is a veritable gospel to some people, sure seems to agree with this idea:

The cult of the dying god Adonis is already found to be fully developed in Sappho’s circle of young girls around 600 [BCE]; indeed, one might ask whether Adonis had not from the very beginning come to Greece along with Aphrodite. For the Greeks it was well-known that he was an immigrant from the Semetic world, and his origins were traced to Byblos and Cyprus. His name is clearly the Semetic title adon, Lord. For alll that, there is in Semetic tradition no known cult connected with this title which corresponds exactly to the Greek cult, to say nothing of a counterpart to the Greek Adonis myth. (pp176-177)

Indeed, investigating Near Eastern mythology, the closest deity with a cult matching the Adonis cult is we see named is “Tammuz”, not Adonis. Perhaps “Adonis”, in this instance, is merely a loan-word made name?

3) The name Adonis, while clearly being the sticking point for identifying His cult as “foreign”, as a language arts major I can clearly see as a mere convention on the same level as “Kytheria” or “Kypris” as a name for Aphrodite — and one clearly accepted as “Greek enough” for many scholars for centuries — indeed, Thomas Taylor takes “Kypris = Aphrodite (= Venus)” for granted in translating the Orphic hymns — and indeed, Cyprus was Hittite land until fairly late Bronze Age; which would be roughly the period estimated for the import of Aphrodite and Adonis cults. Indeed, in most mythological traditions, Cyprus is also the birthplace of Adonis, not merely His cult — so it obviously flabbergasts that somehow this can make Aphrodite “Hellenic enough”, but not Adonis.

One can clearly only begin to imagine the whys and such for the reluctance to accept Adonis cult as “Hellenic enough”, when all evidence clearly shows that it is so. One idea may simply revert to etymology — though clearly acceptable early on in the Hellenisation of Adonis cult practise, later it became a sticking point due to what would now be called racism or nationalism — kinda the same logic “birthers” use to accuse President Barak Obama of being born well-outside U$ soils, in spite of all clear evidence to the contrary. Another idea being that since His cult, in ancient times, was dominated by women to the point of apparently becoming female-only kept the cult well outside the “mainstream” of the civic religion, and so, in a sense, “foreign” to ancient writers, who tended to be men — it could therefore arguably be sexism that kept the Adonis cult regarded as “foreign”; if one considers that many often wrote of the Adonis cult and its symbols with a hint of derision (it’s arguable that the old idea of “green leafy salad = women’s food” is an idea started in ancient Hellas — not only is lettuce sacred to Adonis, but one writer once joked [or perhaps seriously believed] that lettuce causes male sterility), this hypothesis makes a lot of sense on paper.

But perhaps I digress….

I was initially attracted to Adonis as an extension of the “flower boys” — His floral associations include roses (in some versions of the mythos), windflower / anemone poppies, and the “adonis” genus of flowering plant. I make no secret of my veneration of Narkissos as a Daimone and Hyakinthos as hemitheos. Even Krokos, Paeon, and Orchis have found their ways into the mythos I hold dear. The “flower boy” myths intrigue me on many levels: For starters, think about what a flower is — not what it represents in this culture, but what it is. It’s a part of certain plants, but which part? The genitals. In a certain light, it can seem kind of perverse how much cut flowers —severed plant genitals— play a part in (especially heterosexual) romance, courtship, and marriage. The boy gives the girl a cluster of severed, essentially hermaphroditic genitals to show he likes her. A few centuries ago, especially the middle classes, the boy’s visit would then only really last as long as it took for girl to pluck the protective petals from around the reproductive centre. Near the end of the wedding ritual, where people especially like to be surrounded by these hermaphroditic plant parts, the bride throws another bushel of genitals on her friends, with the hope that the cycle will start anew.

And if that’s not enough for you to handle? In many flowers, it’s the especially phallic-looking bit in the centre that’s the “female” part of this hermaphrodite.

It’s clear that Western culture is seriously obsessed with sex and sex organs — even when it tries to pretend it’s not, it’s filling children, especially girls, with an onslaught of symbols of fertility and virility and Martha Stewart is joyfully arranging severed genitals in various vases, often with the especially phallic lady-bits, right there on daytime telly (that woman seriously seems to love her lilies and callas — which aren’t lilies, they’re arums, and their “male bits” are typically attached to the “female bit” — now THINK ABOUT THAT).

I find it hard to get close to Aphrodite. Not for lack of trying, mind, but perhaps she senses something about me (In Real Life™, I tend to be generally more comfortable getting emotionally close with men, while women I tend to befriend more casually — and the few exceptions to this kind of prove the rule, in their own unique ways), and either decides to maintain that distance, or simply appoints any and all contact to be through one of “Her Boys”: Either Eros, Whom I’ve already become especially close to, or Adonis, another Flower Boy for my bouquet.

Narkissos, I consider especially precious. My own views of His mythology apparently differ from the mainstream, and the versions of His mythos I hold most dear (and indeed, there are dozens of ancient re-tellings and re-imaginings — the Battlestar Galactica franchise has had fewer re-interpretations by a wide margin) seem rather obscure, even if they’re versions that still seem to maintain the dominant trappings of the popular versions. To me, He is a holy daimon: A spirit of self-love, and a protector of those unloved. His namesake flower is sacred to Him, as are mirrors and reflecting pools; the species narcissus poeticus is especially sacred, as this is the exact flower He gave form to. He comes to you in a form reminiscent of you see yourself, perhaps a daimon of the Ego Ideal. He is the son of a nymphe and river god of Thespiae. His spurned lover, Ameinias, became anise; you can help to heal the tears Narkissos shed for both His own cruelty and for Ameinias with an offering of anise. Also, a bit of anise in a coffee for a reading may shed light on who loves you. Popularly, at least historically, He seems to have an especial link with gay man, and “narcissism” was initially used as a term for the “sexual perversion” of male-male love.

Hyakinthos’ flower, contrary to modern assumptions, is the delphinium larkspur. He is the son of the Moisa Goddess Kleio and Magnes’ son Pieros (Magnes being the first, now legendary, king of Magnesia, and a son of Zeus), and in some mythological traditions, He is either brother or cousin to Daphne — and perhaps the common-enough urge to link their myths is part of the collective consciousness trying to remind people of this (presumably?) once-ancient connection. By Spartan tradition, Hyakinthos is identified with the Thessalian Hymenaios, the God of marriage and the wedding bed, carrying associations with virginity, True Love, and legitimate partnership — again, I have to voice flabergastion that at the fact that so many modern Hellenic polytheists insist that only heterosexual partnerships have a right to spiritual or ritual legitimacy. Did Apollon not love Hyakinthos in the mythos? Is a god’s love not legitimate? Is the love felt by a mortal somehow unture? (If so, then logically, no marriage with a base of love, which is indeed what the overwhelming majority of Western marriages are, can possibly be ritually legitimate within Hellenismos — and I seriously doubt that very many people would want to get behind a fringe religion with self-proclaimed “authorities” who endorse a return to strictly-arranged het marriages based in social-climbing and dowries.) Or would people rather wax philosophical about “symbolism” and “metaphor” in myth rather than accept that the best symbol of a thing is the thing itself — and the mythos she the thing itself as a deep love and bond that was met with a tragic end. Though mortals may be imperfect, even flawed things can be true, legitimate — death is the greatest, most glaring flaw that mortals have, when compared to the Theoi, but our deaths are overwhelmingly true, a truth that is glaringly obvious.

And again, we come back to blues — immortal blues for Love Himself. From “…something borrowed, and something blue,” to “L’amour est Bleu” (perhaps is is not insignificant that this song rose to fame via the Hellenic singer Vicky Leandros? LOL). The first I saw Hyakinthos, I knew the Spartans were onto something with their associations with Hymenaios, for the first time I saw Hyacinth (in a dream, mind), He was at a small pool or spring, sitting on a rock at the centre of a thick round of His flower, peacock feathers tied into His hair (giving allusions to Hera, a Goddess whose domains include marriage), and Apollon identifying this breath-taking youth as His beloved Hyakinthos, who He “fought the West Wind for, and won”. Their love, as I see it, is a wedded one that is renewed annually with Hyakinthos’ death and rebirth. He is therefore arguably, too, an Erote of Love Renewed, of Tragic Love, and a god of rebirth from tragedy.

Because of my interest in Boeotian traditions, especially of Thespiae and the surrounding area, I often revert back to Hesiod. Hesiod names a beautiful Thessalian boy beloved of Apollon, Hymenaios — or at least this is the Evlyn-White translation of the relevant fragment. The pseudo-Apollodoros notes a Thessalian Hyakinthos was seduced by Apollon away from Philammon, and that this Thessalian youth was accidentally slain by discus. Clearly this mythology is an example of one-in-the-same, simply with different names. At this point, I’m convinced, and urge: Whether you call Him Hyakinthos or Hymenaios, call on Him to bless the bond of love.

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Priapos

Another Theos who was worshipped in Boeotia I give cult to is Priapos; having significant-enough cult at Mt. Helikon (near Thespiae), it seemed only appropriate to post about this here.

For me it began with Theoi Project and searching for deities with local cult in Boeotia. What is said there of Priapos’ cult in Boeotia is sparse, and Wikipedia only expanded this somewhat, while failing to mention Boeotia at all. The Index of Burkert’s Greek Religion doesn’t include Priapos, which I find rather odd, but oh well, and so my initial search pretty much ended there. Later, I came upon His entry in The Greek Mythology Index, which apparently confirms His position as a fertility deity presiding over both livestock and gardens.

His connection to Hestia in narrative mythology (which seems to begin and end with Ovid, true, but Ovid’s works are based on the Hellenic narratives) links Him, in my mind, not just to field but to the kitchen.

Now as a sort of self-medication for my anxiety issues, I’ve picked up several nervous habits, and some of them not bad ones. I like to keep something by my side of the couch in the lounge to do with my hands — on occasion, it’s been beadwork that I don’t have to think look at too closely, but more often, it’s been polymer clay that I usually have separated into little cubes. One night, in front of the television, I just picked up a cube and, without even looking at was I was doing, started moulding little penises, mostly erect. My flat-mate was the first to actually take notice of what I was doing, I honestly didn’t realise I’d just made a little pile of tiny wangs, even though I was manipulating the pocket dental pick I used as a tool for my clay and forming the glans on all of them.

Needless to say, I took this as a sign to develop cult a little more; it’s been a slow build, but it’s a pace I’m content with.

The parentage of Aphrodite and Adonis sort of makes the most sense to me — think about it: Hermes, Dionysos, Pan, already had phallic associations. The cult of Adonis hold lettuces sacred to Him; but ancient Hellenes associated lettuces with sterility and impotence (probably the seed of the stereotype that “real men” don’t eat salad). If it’s therefor assumed true that Aphrodite is the mother of Priapos, and assumed true that Hera cursed the foetal Priapos in Aphrodite’s womb with ugliness and impotence, we see a common thread building from the fibres.

The paint on the inside looks like crap, but I bought this pre-assembled; *you* try getting a paintbrush in there.

My shrine to Priapos is not a grand thing like mine to Eros, but more like my plaque for Hestia and my jar for Zeus Ktesios. I purchased a small pine craft house, painted it gaudily, added some glitter, and took one of the tiny polymer clay penises I moulded that previous day, and glued in inside (sometimes having small hands is beneficial). I keep it in the back of the top shelf of my refrigerator, partially inspired by this comic (and somehow, considering the typically anti-social humour of “Rehabilitating Mr. Wiggles”, this strikes me as appropriate, but that may just be UPG). I’ve also placed one of these little tiny penises in with each of my herbs (oregano, basil, sage) and a large one with the laurel, keeping in line with the tradition of having an image of Priapos in the garden, serving as a scarecrow (obviously modified to best suit my suburban apartment).

(Yes, I know the “elf home” isn’t in my fridge in these photos, but I wasn’t getting good ones with it still in there.)

My plants, as always, give me far more joy than some may think they would, but I can’t help it. :-) Especially the oregano here. It has a similar story as my rose — I got it on sale, cos it wasn’t looking that great, but after I transplanted it, it started thriving.

Oregano

Basil

Sage

Laurel

I hope that everybody who observes has been extra-creative this Mouseia — after all, the next one isn’t for another five years.

I’m feeling like a super-tiger-dragon failure for the fact that nobody has submitted any dedication poetry for the Hellenistai Wiki Project, so this probably means I’m going to be doing something myself; I keep trying to assure myself that the only people losing out are those who thought of maybe submitting something, but didn’t — the community isn’t really losing out, cos hey, they have a wiki now, and maybe I’m really not a loser, cos I did what I could, but old habits die hard.