And now, on a more personal note….

When I decided to do this blog, a bunch of things were going through my head.

First, I thought that urban-based and (shudder to think) pro-urban spirituality was something that had a relatively small voice in the greater Pagan and Polytheist community, and a small voice that often appeared to be “silenced” by the wealth of pro-rustic voices out there. If you’re somebody who has spent more than a fortnight in the Pagan/Polytheist/Witch community (and if you’re reading this, chances are good that you’ve at least spent that much time doing that), then you at least have an idea of how much rural worship and rural worship advocacy is out there, and how even some rather prominent voices in the Pagan and Polytheist community have said things like “true Pagans prefer worshipping in a rural setting” and “no real Pagan likes a concrete and iron landscape”. This can be upsetting, disheartening, and downright offensive to “those to whom the city speaks”. I love cities; I was born and raised in metro-Detroit* and I honestly find the hum of the nearby El trains in Chicago some of the most soothing sounds and sleep much easier during the week or two each year I’m in Chicago than the quiet suburban hum of Ann Arbor, Michigan. I felt that urban paganism needed a voice and, since I’m an Hellenic polytheist, I would keep my knowledge and experiences to that, just because I don’t think it’s a good idea for one to talk outside of one’s circles of expertise.

Secondly, based on the small amount of knowledge that I have of other Pagan religions, Hellenic polytheism seems especially well-suited to urban people. In ancient times, all of the biggest and best-kept temples were in the hearts of the cities. Yes, the traditions that were maintained longer (some of which even survive to this day with only the tiniest superficial changes), were maintained in rural areas, but that fact alone does not diminish the fact that city dwellers played a *huge* part in the growth and evolution of the Hellenic polytheistic religion and Theos-centred cults in the ancient world.

I also wanted to just… have a voice within the comparatively small Hellenic polytheistic community. The more voices that are out there, the better-defined the religion becomes.

Now, having this blog on WordPress.com has a few advantages — one of these is simply the fact that blog hit stats and incoming link sources are automatically counted with almost no real effort from my end. I will return to this point momentarily.

Like many bloggers who feel that they have something to say that’s worth saying, I did a small amount of linking this blog on other sites, but my efforts in that, due to my severe distaste for “spamming” practises, was reserved to a few e-mail lists that I’m on, my personal web-diary, and a message board that I read and post to periodically. I didn’t make a huge effort. In fact, I expected most of my readers would be people that I regularly spoke to on these fora already, most of whom already knew about my practises and about my love for large urban areas.

What I didn’t expect, in one month’s time, was to go and check my “incoming links” list, as I do every week, and find readers in Brazil who (after deciphering the Portugese on Bablefish) seem very enthusiastic about this blog. :-) This makes me very happy.

Maybe it’s a bit egotistical to say something about this so soon? After all, my first post to this blog was only made on October 4th of this year, but it’s still something that I found impressive and very flattering nonetheless. I’m very glad that somebody from outside of the major English-speaking countries I mainly converse on-line with (being the United $tates, Canada, the UK, and Australia) is excited enough about this blog to make a post about it on their own. I hope she doesn’t mind, but if you can read Portugese (or are at least willing to run her blog through Bablefish or Google Languages), check out Louro brotando (Urban Hellenistos has been added under “Links”).


*OK, technically I was born and mostly-raised in Toledo, Ohio (until my father remarried a Quaker woman with a chicken farm in rural Michigan — where I went to high school); but if you’re familiar enough with the urban Midwestern U$, you know that Toledo, Ohio is to Detroit what Gary, Indiana is to Chicago.

Athene at the University

Well, if I wasn’t suddenly bombarded with all of this work (backed up commissions, need to do some paintings to try and nab an art deal — bah!), I’d think up my own topic, but instead, I’m going to direct you all to Lykeia’s post at her blog about Athene of the university. And I’m basically going to agree with it.

One of the few things I actually love about the Ann Arbor/Ypsilanti area* is that two major state universities are right here. Based on where my apartment is, I’m almost right between University of Michigan (which, at various points in its recent history, has had the distinction of being the most expensive state university on this side of the Mississippi) and Eastern Michigan University (which has the shame of NOT electing the emu as its school mascot). I’ve always felt like Apollon and Athene really loved this area. There are many things for Them to love about this college town.

First off, at the U of Michigan Student Union building, there is a plaque out in front commerating the founding of the Peace Corps with a commerative speech right out there on the front steps by President John Fitzgerald Kennedy. Unlike Ares, who is often regarded as a borderline-psychotic War Theos Who can only be tamed by His love for Aphrodite, Athene contrasts as the Theon of Just Wars, considering this, She can also be a bringer of Peace and Prosperity, much like Aphrodite, but the significance of this event happening on University steps helps paint this town with a strong Athenian vibe for me. Ann Arbor also has a strong socio-political activist history, something else I associate with Athene.

University of Michigan is also home to one of the best teaching hospitals in the United $tates, and if that doesn’t strike my readers as something in Apollon’s favour, then I really don’t know what else would. The university libraries and museums dominating downtown Ann Arbor, along with tonnes of second-hand stores for books, records & CD’s, and even musical instruments (with Shar Music being just a stone’s throw from the main downtown area) definitely give this place an equally Apollonian presence, in my mind.

I really didn’t mean to just come off as if I’m gushing about this town — I really can’t stand this place, it’s very small and rather suffocating, to me. But I would like to thank Lykeia for making a post that prompted me to think about the Theoi of the Universities and giving me something to appreciate about this town — even if I do have a two year plan to get out of this place.


*just in case you may have forgotten or bypassed it, I’m taking a poll of where Hellenistai live, partly for my own entertainment, partly because I have a plan, in about four years, to do a book about Urban Hellenismos, and it would be nice to have some comparitive annual surveys of this kind of thing.

Eros in my Art

Hellenic pagan penal rosary by ~RowanInBlack on deviantART

This “penal rosary” is probably the first art-thing that I ever consciusly made with Eros in mind.

Where is He?

The two green glass beads are for Dionysos —twice-born, God of the Vine, God of Wine….
The four diamond-shaped beads are for Hermes —sacred to Four, protector of gamblers….
The seven silver beads are for Apollon — silver-bowed, seven is sacred, Lord of Moderation in all things….

The big pink quartz “doughnut” is for Eros. When I saw it at Jo-Ann, after browsing paints and canvases, I was inspired to do the rosary as, earlier that week, I had read “A Garland For Zeus” by Drew Campbell on the Hellenion website. I decided on an Irish penal rosary design for a few reasons, though mainly because of my own Irish heritage and as a nod to the time when Catholicism was persecuted in Ireland, much like how Polytheism has been more recently persecuted in modern Greece.

It seemed such an appropriate piece for Eros: It’s circular and unending. It’s pink, a colour associated with love and sex. It’s a large, though palm-sized, and natural, albeit wrought stone (it is said that in Thespiae that they maintained the oldest cult image of Eros, being a large unwrought stone).

I’ve had to re-string this piece at least twice, but it still remains one of my favourite devotional crafts to Eros.

Erato

Your result for The A-Muse-ing Test…

Your muse is Erato!

30% Erato, 20% Euterpe, 10% Calliope, 0% Thalia, 0% Urania, 0% Clio, 10% Melpomene, 20% Polyhymnia and 10% Terpsichore!

Erato is the muse of love and erotic poetry. She is also known as the muse of lyrics and songs of marriage. Her title is “the amorous one.” It is from the tales of Erato that we get the saying about carrying a torch for someone, as she has been seen with a torch while with the god Eros.

Call upon Erato when you are seeking or wish to be inspired by love or erotocism.

Think about a sensual description using all of your senses… what you see, what you hear, what you can feel, what you can taste, and what you can smell regarding the one that you most desire. Allow yourself to be free and think of the passion they inspire within you. Allow Erato to help you as you put into words these feelings that can start with something as simple as a kiss and then end with an imagination that has no limits. To live fully and sensually is a true and rare gift.

Take The A-Muse-ing Test at HelloQuizzy


This is fairly accurate, for an Internet quiz.

Erato information can be found on Theoi.com and Wikipaedia.

Music for Eros

I was inspired by this post over at Memories of Pain & Light to do a similar post of songs that remind me of Eros when I hear them.

  • Gavin Friday, Shag Tobacco — actually, this is a whole album, and I chose it for pretty painfully obvious reasons. The most obvious being that, in interview, Gavin Friday himself has said that the album is based on the concept of a man who comes home to make love to his wife.
  • Rufus Wainwright, “Greek Song”
  • Secret Affair, “Let Your Heart Dance”
  • Danielle Dax, “16 Candles” — this is a strange one, I admit. No, it’s not a cover of the old doo-wop song, it’s a haunting ballad about a man who goes off to war and his wife keeps a candle lit for every year that he’s gone. It has the classic “Love & War / Aphrodite & Ares” imagery, but the candle imagery reminds me of the muse Erato who, in some old depictions of Eros, is depicted as His torch-bearer, which some sources cite as the origin of the phrase “carrying a torch for someone” as an expression for being lovingly devoted.
  • Gavin Friday & Cillian Murphy, “Sand” — It was a toss-up between whether I liked this version or the original (Lee Hazelwood & Nancy Sinatra) better.
  • Red Hot Chili Peppers, “My Lovely Man” — I know that this was written in memory of guitarist Hillel Slovak, but that’s what makes it one of the most powerful kinds of love songs. Keidis performs in a soothing and sensual croon; there’s no way he was ignorant of the apparent homoeroticism in the album version of this song. To turn that pain from the loss of a dear friend into something about longing and with blatantly sensual tones is a gift of Eros.
  • Noel Coward (composer), “Mad About the Boy”
  • Franz Ferdinand, “Michael”
  • Makin’ Time, “Honey”
  • Mari Wilson, “Ecstasy”
  • Pete Townshend, “Rough Boys”
  • The Doors, “Hello, I Love You”
  • Lee Hazelwood & Nancy Sinatra, “Some Velvet Morning”
  • Be-Bop Deluxe, “Love Is Swift Arrows”, “Swan Song”

I’ll definitely add to this as this project goes on.

I’ve played some of these in ritual for Eros, but others just came to me as I wrote this.

Urban Pan

Oh, the things that come into my head while I’m taking part in my twice-annual Big Apartment Cleaning:

One of Pan’s domains is Wildness; ergo, it makes perfect sense that there would be Urban qualities of Pan in addition to Rustic characteristics. Large cities are far from ordered panic-free environments, in fact, many Pagan and Polytheists of this modern world choose to escape the cities for the perceived comparative serenity of the countryside. There is chaos and disorder in cities. In “ghettos”, Pan is Lord and His father, Hermes, aides people living on the ends of their wits in Skid Rows. This chaotic element belongs to Pan.

Every person who wanders down a dark street scared is visited by Pan; to avoid pan-ic, one has a choice: One can acknowledge and beg of the guidance and protection from the Urban Theoi, or one can escape to the squeaky-clean, gentrified homogeneity of the suburbs.

Personally, while realising Pan’s presence in the City is relatively recent, in retrospect, I’ve also known He was there. Pan is, generally speaking, associated with the Nymphai; since the Nymphai Poleis are a presence in the cities that I am attuned to, it just makes sense that Pan is there with Them.

Eros as Each of the Four Elements

Fire — passions, igniter of said, burning desire, rapid consumer
Water — comforting, squishy, fluid, sleek, slow destroyer
Earth — growth, nature and nurture, seed, fertility
Air — flighty, all-surrounding, wistful, necessary

Eros is everything, He unites, ignites, breaks, bends, curls and unfurls at His whim. He is the fire that warms your heart, and the rain that pours down your face — Love requited, heart broken.

Love is hot, Love is cold; Love builds us up, breaks us down.

Love creates us, and Love can destroy us.

Love is.

Love shall always be.

Eros is Love itself, and He Loves His lovers with comfort and with pain, through sunshine and through rain.

He loves because…
…it’s what He does.

And besides, we love Him back.

(Originally from my personal journals.)